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Maybe these were not the best pieces of the contest (I won't say 'graphics' because the limits of what is a graphic nowadays are blurry), not even the five I liked the most, but five examples I'll remember when thinking on how to tell stories in the future (and the present)
1. Use of audio
Trial excerpt: Getting to not Guilty | The Boston Globe
The idea is simple, actually: they wanted to explain how things happen on the Court, so what they give is the complete audio of a session, the transcript and a colored bar marks what's playing the audio. This particular case explains the story of the judgement of a person who confessed being guilty of driving drunk and cause an accident in the moment it happened but was declared not guilty after all.
Why I like it?
It really explains the information in the best possible way. No fireworks. I can't figure myself reading a long article about this topic, and I guess won't be enough just hearing the audio. But they way The Boston Globe mixed both created a very effective piece: the voices, the doubts, how they talked, wth the transcript to follow the action on an easier way... Smart, effective, objective journalism.
2. Multimedia Integration
At the Metropolitan Museum, a new wing, a new vista | The New York Times
The Metropolitan Museum was opening a new islamic wing and The New York Times created this virtual visit to all lounges, with navigable panoramas, image details, audio explanations and other details.
Why I like it?
None of the separated elements is very original. I've seen better navigable panoramas, better image details, better audio explanations, better wing maps... but all the stuff is brought together on a really great way. Multimedia pieces are not just juxtaposed, but integrated. So here 1+1+1+1 is more than 4. And with really good details, like the tiny map on the left, advancing with the scroll and changing depending on the lounge you're watching each moment.
3. Use of social networks
Cast Your Vote, 2011 Oscar | The New York Times
The Oscar 2011 special by The New York Times invites you, as many others, to fill your own ballot. But there's an extra point: the possibility to share it on Facebook with your friends and play against them.
Why I like it?
All media know they have to do things with social networks, but no one knows exactly what to do. This is what to do. This special piece by the Grey Lady is a perfect demonstration of how social pieces can be without complex developments. A really social product.
4. Different use of video
Pop up politics | National Public Radio
Do you remember VH1 Pop Up Videos? NPR has adapted that idea to politics: videos showing funny things about what's happening on them, but here NPR is using speeches of the republican candidates instead of music videos.
Why I like it?
Ok, the idea is not original, but changing the context to politics add a very interesting layer (and changes the sometimes hieratic face of elections info). Maybe this particular example by NPR has too many 'funny' things rather then 'important', but is a very good way to analyze speeches, and on videos, so important for advertising revenues nowadays.
5. Vertical narratives
How Osama Bin Laden was located and killed | The New York Times
A colection of graphics and multimedia pieces about the capture of Osama Bin Laden by, yes, again, The New York Times. This vertical system completing the information step by step is not exclusive of the Times, but a format each time more popular in the United States media.
Why I like it?
If the example of the Metropolitan was great because of the integration over the juxtaposition, here is the opposite: the juxtaposition works over the integration. The format creates a linear narrative, with differentiated pieces, indexed with the tiny fixed menu at the left. The story is told by steps, like the successful Mariano Rivera video infographic.
Showing posts with label Awards. Show all posts
Showing posts with label Awards. Show all posts
21/03/2012
Five inspiring pieces awarded at the SND Digital 2012
13/02/2012
Last days to participate in SND Digital and Malofiej
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This is the key week to end sticking portfolios together, gathering URLs and decide the best graphics of this year on each department. This week we meet the deadline to send graphics for two of thebig events of the year: the SND Digital and the Malofiej Awards.
SND Digital
Deadline: January 15th
The online edition of the SND awards, focused on design but with infographic categories. Not as veteran as the print SND or Malofiej, but with the intention (if not a reality already) of becoming the most important online media design awards. Special attention to apps for mobile and tablets,
Premios Malofiej
Deadline: January 17th
The classic among the classics of the infographics awards celebrates its 20th anniversary in a big way.
Print, online and mobile graphics can participate in this specialized and prestigious competition.
It's late, so 'don't rest on your laurels' as says the motto of the Malofiej Awards.
And good luck!
This is the key week to end sticking portfolios together, gathering URLs and decide the best graphics of this year on each department. This week we meet the deadline to send graphics for two of thebig events of the year: the SND Digital and the Malofiej Awards.
SND Digital
Deadline: January 15th
The online edition of the SND awards, focused on design but with infographic categories. Not as veteran as the print SND or Malofiej, but with the intention (if not a reality already) of becoming the most important online media design awards. Special attention to apps for mobile and tablets,
Premios Malofiej
Deadline: January 17th
The classic among the classics of the infographics awards celebrates its 20th anniversary in a big way.
Print, online and mobile graphics can participate in this specialized and prestigious competition.
It's late, so 'don't rest on your laurels' as says the motto of the Malofiej Awards.
And good luck!
Tags:
Awards
14/01/2012
2012: the year of Malofiej 20
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The Malofiej Awards, the most important awards-summit-workshops-party of infographics in this world, is becoming 20 in 2012. As John Grimwade says and malofiej20.com remebers "You must attend Malofiej at least once in your life". And this is the right time, as the infographics Mecca is preparing a great program of high-class events to commemorate its anniversary.
The Malofiej Awards, the most important awards-summit-workshops-party of infographics in this world, is becoming 20 in 2012. As John Grimwade says and malofiej20.com remebers "You must attend Malofiej at least once in your life". And this is the right time, as the infographics Mecca is preparing a great program of high-class events to commemorate its anniversary.
06/10/2011
The best graphics of Spain & Portugal - August 2010/August 2011
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Público, La Verdad de Murcia, Heraldo de Soria, Yorokobu, elpais.com and eitb.com have been chosen the best designed media of Spain and Portugal in the 8th edition of the ÑH awards, the prizes awarded by the Spanish Chapter of the SND which select the best design of the iberian countries. You can see the complete list at the web of the SND-E. But here you will find the infographics awards (and it will be updated)
NEWSPAPERS
Breaking news
Silver
El Correo (Bilbao)
La Vuelta looks to the Basque Country again
Mention
Heraldo de Aragón (Zaragoza)
Bad synchronization of the traffic lights
Features
Gold
Público (Madrid) - Samuel Granados
Flamenco. From prosecution to salvation
Público, La Verdad de Murcia, Heraldo de Soria, Yorokobu, elpais.com and eitb.com have been chosen the best designed media of Spain and Portugal in the 8th edition of the ÑH awards, the prizes awarded by the Spanish Chapter of the SND which select the best design of the iberian countries. You can see the complete list at the web of the SND-E. But here you will find the infographics awards (and it will be updated)
NEWSPAPERS
Breaking news
Silver
El Correo (Bilbao)
La Vuelta looks to the Basque Country again
Mention
Heraldo de Aragón (Zaragoza)
Bad synchronization of the traffic lights
Features
Gold
Público (Madrid) - Samuel Granados
Flamenco. From prosecution to salvation
Tags:
Awards
14/06/2011
Malofiej 20: dates confirmed
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From March 18th to 23rd, 2012. Malofiej 20 has confirmed its dates and shown its new identity, as we can see at the SND-E web. An edition with surprises, according to the Spanish Chapter of the SND.
Judges will start their work on 18th and the International Summit will be inaugurated the 21st.
From March 18th to 23rd, 2012. Malofiej 20 has confirmed its dates and shown its new identity, as we can see at the SND-E web. An edition with surprises, according to the Spanish Chapter of the SND.
Judges will start their work on 18th and the International Summit will be inaugurated the 21st.
31/03/2011
Malofiej 19 (from my own point of view)
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This year, I've been part of the jury of Malofiej 19, but I'm talking about the awards and summit not as part of the jury, but as any other infographic journalist.
Just a few things as jury: Very special thanks to Javier Errea (and Álvaro Gil) for calling me to be judging this year. Something that has been very special for me, being part of the students that help in the organization now 10 years ago. Thanks also to the students group for their job. And the rest of the members of the jury: I really enjoyed being and learning with them.
And now, my two cents:
Visualization vs. Ilustration
This is not the first year that I find many people evaluating the awards as a fight of datavis vs. 'classic' infographics. I can't see a fight. And, specially, this year. There are better and worse infographics. Of any kind. I look at the awarded this edition and I find more 'classic' graphics than visualizations, although these last ones catch the eye very fast.
I don't care how the graphic is done if it is telling a story, gives proper information to the reader and explain what they want to explain in an effective way.
Maybe we have to create a friendly soccer game 'Friends of Amanda Cox vs. Friends of Fernando Baptista'
The New York Times and National Geographic
The big winners of this edition (one more time). Both are the big stars of each of the styles we were talking about. But this success is not a surprise.
Althought I can uderstand Alberto Cairo's question: "And the rest of us, what can we do?", we can expect that the two big media that has devoted such huge resources to create the bests infographics departments of the world will win so many awards.
But some other media, not so big, as Público (Spain) that keeps winning lots of awards with a department of just five. Very talented, but just five. Or IL, the italian magazine. It takes its time, but it's easier to succeed if the media (or at leat the art department) really cares about making good (and not just many) infographics.
My favourite of the year: When we tell storiesd with infographics
In my opinion, infographics in journalistic media should be, above all, journalism. And that's what this infographic published on the Washington Post does. It was awarded with a gold medal.

It's easy to understand: localizes a gun store and places crimes with guns purchased in that particular store in several miles around it.
Very high journalist value: it tells a story, warns about a problem and show the data to prove it.
It's visual: I don't need the text of the article to understand the problem, how deep it is and many other things around it.
A modern version of the Dr. John Snow's cholera graphic.
All this, thinking at the same time that NYT graphic about the pitcher Mariano Rivera really deserved the Peter Sullivan award that it got. That's a kind of graphic that will make us all think twice on how are we showing the data. Once again.
-----------------------------------------------------------------------------
These are my ideas, but here you are some others:
- Javier Errea, presidentof the Spanish Chpater of the SND (in spanish)
- Gert K. Nielsen, on his blog VisualJournalism, who was covering the awards and Summit.
This year, I've been part of the jury of Malofiej 19, but I'm talking about the awards and summit not as part of the jury, but as any other infographic journalist.
Just a few things as jury: Very special thanks to Javier Errea (and Álvaro Gil) for calling me to be judging this year. Something that has been very special for me, being part of the students that help in the organization now 10 years ago. Thanks also to the students group for their job. And the rest of the members of the jury: I really enjoyed being and learning with them.
And now, my two cents:
Visualization vs. Ilustration
This is not the first year that I find many people evaluating the awards as a fight of datavis vs. 'classic' infographics. I can't see a fight. And, specially, this year. There are better and worse infographics. Of any kind. I look at the awarded this edition and I find more 'classic' graphics than visualizations, although these last ones catch the eye very fast.
I don't care how the graphic is done if it is telling a story, gives proper information to the reader and explain what they want to explain in an effective way.
Maybe we have to create a friendly soccer game 'Friends of Amanda Cox vs. Friends of Fernando Baptista'
The New York Times and National Geographic
The big winners of this edition (one more time). Both are the big stars of each of the styles we were talking about. But this success is not a surprise.
Althought I can uderstand Alberto Cairo's question: "And the rest of us, what can we do?", we can expect that the two big media that has devoted such huge resources to create the bests infographics departments of the world will win so many awards.
But some other media, not so big, as Público (Spain) that keeps winning lots of awards with a department of just five. Very talented, but just five. Or IL, the italian magazine. It takes its time, but it's easier to succeed if the media (or at leat the art department) really cares about making good (and not just many) infographics.
My favourite of the year: When we tell storiesd with infographics
In my opinion, infographics in journalistic media should be, above all, journalism. And that's what this infographic published on the Washington Post does. It was awarded with a gold medal.

It's easy to understand: localizes a gun store and places crimes with guns purchased in that particular store in several miles around it.
Very high journalist value: it tells a story, warns about a problem and show the data to prove it.
It's visual: I don't need the text of the article to understand the problem, how deep it is and many other things around it.
A modern version of the Dr. John Snow's cholera graphic.
All this, thinking at the same time that NYT graphic about the pitcher Mariano Rivera really deserved the Peter Sullivan award that it got. That's a kind of graphic that will make us all think twice on how are we showing the data. Once again.
-----------------------------------------------------------------------------
These are my ideas, but here you are some others:
- Javier Errea, presidentof the Spanish Chpater of the SND (in spanish)
- Gert K. Nielsen, on his blog VisualJournalism, who was covering the awards and Summit.
Tags:
Awards
29/03/2011
All the Malofiej 19 awards
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I'll be updating everything with links and images.
IMPRESOS / PRINT
I'll be updating everything with links and images.
IMPRESOS / PRINT
Noticias de Actualidad Inmediata / Breaking News
1CB Bronce / Bronze
Público (España)
Radiografía de la posesión en el clásico
Más sobre este gráfico en Cuatro Tipos / More on this graphic in CuatroTipos: Buenafuente no entiende los gráficos de Público
--------------------------------
1CC Bronce / Bronze
The New York Times (USA)
Districts Across the Country Shift to the Right
---------------
1CC Bronce / Bronze
Clarín (Argentina)
Radiografía Argentina-Corea del Sur
1DC Plata / Silver
The New York Times (USA)
Oil Spill: Disaster in the Gulf
1DC Bronce / Bronze
The New York Times (USA)
The 2010 Election
Reportajes / Features
2AA Bronce / Bronze
Al Shabiba (Oman)
Four Decades of Progress
---------------------------
2AB Plata / Silver
La Voz del Interior (Argentina)
Bicentenario Argentino
Más en Infografistas: 200 años de historia en una infografía
---------------------------
2AB Plata / Silver
Público (España)
------------------------------
2AB Bronce / Bronze
Público (España)
Los siete países implicados en el 'Plan Cóndor'
2AC Plata / Silver
The New York Times (USA)
As Floodwaters Recede, a Crisis Emerges
-------------------------------
2AC Bronce / Bronze
Folha de S.Paulo (Brasil)
2AC Bronce / Bronze
The New York Times (USA)
How the Oil Slick Grew and Dissipated
------------------------
2AD Oro / Gold
National Geographic Magazine (USA)
World of Rivers (Premio Miguel Urabayen Award Best Map)
-----------------------------
2AD Bronce / Bronze
Vanguardia Grandes Temas (España)
-----------------------------
2AD Bronce / Bronze
National Geographic Magazine (USA)
The Battered Gulf Coast
2AD Bronce / Bronze
National Geographic Magazine (USA)
Templo Mayor
2AD Bronce / Bronze
National Geographic Magazine (USA)
Cost of Living
---------------------------------
2AD Bronce / Bronze
Época Magazine (Brasil)
The Changes in Prison Population in Brazil
-------------------------------
2AE Bronce / Bronze
Golden Section Graphics
Wer Wird Präsident for Die Zeit (Germany)
-------------------------------
2BB Bronce / Bronze
Público (Portugal)
Bandeiras Azuis em 2010
2BC Oro / Gold
The Washington Post (USA)
One Shop, Over 2,500 Crime Guns
--------------------------
2BC Plata / Silver
The Washington Post (USA)
One Gun Store's 'Time to crime'
2BC Bronce / Bronze
El Mundo (España)
Gran Vía, Cien años de historia
-------------------------------
2BC Bronce / Bronze
The New York Times (USA)
Stop, Question and Frisk in New York Neighborhoods
2CC Bronce / Bronze
Die Zeit (Germany)
Seid verschlungen, Milliarden!
-------------------------------
2CD Bronce / Bronze
In Graphics (Germany)
Large Scale Projects
--------------------------------
2DA Bronce / Bronze
Superdeporte (España)
33ª Copa del América
------------------------------
2DA Bronce / Bronze
i (Portugal)
Dicionário do Surf
------------------------------
2DA Bronce / Bronze
i (Portugal)
Formula 1, Championship review
-------------------------------------
2DB Oro / Gold
Público (España)
Los abuelos de Alonso
---------------------------
2DB Plata / Silver
Al Bayan Newspaper (UAE)
F1 Red Bull Car
2DC Plata / Silver
The New York Times (USA)
Strikeouts (and Questions) Are on the Rise
---------------------------------
2DD Bronce / Bronze
In Graphics (Germany)
Climbing the 8000ers
Más sobre / More on In Graphics
-------------------------
2EC Plata / Silver
Clarín (Argentina)
El túnel de San Gotardo
------------------------------
2EC Bronce / Bronze
Folha de S.Paulo (Brasil)
2EC Bronce / Bronze
O Estado de S.Paulo (Brasil)
Baleia-jubarte
------------------------------
2EC Bronce / Bronze
O Estado de S.Paulo (Brasil)
Tapuiassauro
------------------------------
2EC Bronce / Bronze
The New York Times (USA)
A Bewildering Tangle of Options
------------------------------
2EC Bronce / Bronze
The New York Times (USA)
Orbital Mechanics
--------------------------
2ED Plata / Silver
National Geographic Magazine (USA)
Blue Holes of the Bahamas
2ED Bronce / Bronze
Galileu Magazine (Brasil)
As pedras do caminho
------------------------------
2ED Bronce / Bronze
National Geographic Magazine (USA)
Our Sprawling, Evolving Grid
2ED Bronce / Bronze
National Geographic Magazine (USA)
Japan's Swirling Seas
2EE Bronce / Bronze
KircherBurkhardt for Gas Winner Wertvolle Rohstoffe
2FD Oro / Gold
National Geographic Magazine (USA)
Gulf of Mexico (Premio Peter Sullivan Award Best of Show)
-------------------------
2FD Plata / Silver
National Geographic Magazine (USA)
Barcelona's Natural Wonder
------------------------------
2FD Bronce / Bronze
IL-Intelligence in lifestyle (Italy)
Materia Prima
---------------------------
2GB Plata / Silver
Público (España)
Cuadernos de viajes
------------------------------
2GB Bronce / Bronze
El Correo (España)
El encierro
-------------------------------------
2GC Bronce / Bronze
The New York Times (USA)
A Peek Into Netflix Queues
------------------------------
2GD Bronce / Bronze
Clarín (Argentina)
Teatro Colón: La trama secreta
2HB Plata / Silver
Al Bayan Newspaper (UAE)
F1, The Checkered Flag
------------------------------
2HB Bronce / Bronze
Público (España)
Juegos Olímpicos de invierno
2HC Bronce / Bronze
Clarín (Argentina)
La concentración argentina
------------------------------
2HC Bronce / Bronze
O Estado de S.Paulo (Brasil)
Geography of voting
--------------------------------
2HC Bronce / Bronze
Il Sole 24 Ore (Italy)
Dentro la Sagrada Familia
----------------------------------------
Una columna / One column
3C Bronce / Bronze
La Vanguardia (España)
Data81
Criterios / Criteria
5AB Bronce / Bronze
Expresso (Portugal)
Um exercicio de equilibrismo
5CD Oro / Gold
In Graphics (Germany)
Transfer Calligraphy
---------------------------------
Portafolios / Portfolios
6BB Bronce / Bronze
Público (España)
Tramas y procesos
------------------------------
6BC Bronce / Bronze
Clarín (Argentina)
Mundial Sudáfrica 2010
6BD Plata / Silver
National Geographic Magazine (USA)
Features Portfolio
6BD Bronce / Bronze
IL-Intelligence in lifestyle (Italy)
Analisi Grafica
6BD Bronce / Bronze
IL-Intelligence in lifestyle (Italy)
Piccolo Lord
6BE Plata / Silver
Golden Section Graphics for Geo (Germany)
Geo Kosmos Weltspiel
-----------------------------
6BE Bronce / Bronze
Golden Section Graphics (Germany)
Features Portfolio Agencies
6CC Plata / Silver
The Washington Post (USA)
Todd Lindeman
6CC Bronce / Bronze
Clarín (Argentina)
Florencia Caramignoli
6CC Bronce / Bronze
The New York Times (USA)
Ford Fessenden
Promocionales / Promotional
7B Bronce / Bronze
Gulf News (UAE)
Burj Dubai, World's tallest skycrapper
7C Plata / Silver
The Guardian (UK)
Fact File UK
----------------------
ONLINE
Noticias de Actualidad Inmediata / Breaking News
8AA Bronce / Bronze
The Sunday Times (UK)
8AB Bronce / Bronze
NYTimes.com (USA)
8CB Bronce / Bronze
NYTimes.com (USA)
8DA Bronce / Bronze
Associated Press (USA)
8DB Oro / Gold
NYTimes.com (USA)
-------------------------------
Reportajes / Features
9AA Bronce / Bronze
ultimosegundo.ig.com.br (Brasil)
9AB Bronce / Bronze
NYTimes.com (USA)
9AB Bronce / Bronze
NYTimes.com (USA)
9AB Bronce / Bronze
The Washington Post (USA)
9AB Bronce / Bronze
The Washington Post (USA)
9BA Bronce / Bronze
Népszabadság (Hungary)
9BB Plata / Silver
NYTimes.com (USA)
9BB Plata / Silver
NYTimes.com (USA)
9BB Bronce / Bronze
NYTimes.com (USA)
9CB Bronce / Bronze
The Washington Post (USA)
9DA Bronce / Bronze
Al Bayan (UAE)
9DA Bronce / Bronze
The Sunday Times (UK)
Skydiver (Coming down)
9DB Oro / Gold
NYTimes.com (USA)
(Premio Peter Sullivan Award Best of Show)
------------------------------
9DB Bronce / Bronze
NYTimes.com (USA)
9DB Plata / Silver
NYTimes.com (USA)
9DB Plata / Silver
NYTimes.com (USA)
9DB Bronce / Bronze
NYTimes.com (USA)
9DB Bronce / Bronze
NYTimes.com (USA)
9EB Oro / Gold
Estadao.com.br (Brasil)
-----------------------------
9EB Bronce / Bronze
NYTimes.com (USA)
9FA Bronce / Bronze
Al Bayan (UAE)
9GB Plata / Silver
NYTimes.com (USA)
Portafolios / Portfolios
10AB Bronce / Bronze
NYTimes.com (USA)
10BB Bronce / Bronze
BBC (UK)
10BB Bronce / Bronze
veja.com (Brasil)
10BB Bronce / Bronze
Consumer.es (España)
-----------------------------------
Criterios / Criteria
11CA Bronce / Bronze
economia.ig.com.br (Brasil)
11CB Plata / Silver
Estadao.com.br (Brasil)
11CB Bronce / Bronze
Clarín (Argentina)
11DB Plata / Silver
NYTimes.com (USA)
11DB Bronce / Bronze
The Guardian (UK)
11DB Bronce / Bronze
BBC Dimensions (UK)
------------------------------
Aplicaciones / Apps
12BA Bronce / Bronze
The Sunday Times (UK)
Whale graphic on iPad
12BB Plata / Silver
ligaBBVA.com (España)
LigaBBVA HD
Tags:
Awards
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